SHAPES AND SHADOWS By Cecelia Lyden

oil/linen

11x14

www.cecelialyden.com

For decades I have raced by this structure, always noting its composition of multiple shapes, but in too much of a hurry to observe any interesting cast shadows. I finally took the time to check it out more carefully and took some photos. I stopped in an adjoining building to ask its function. Imagine the confused looks on the faces of the two female clerks, working in this rather drab office space when this elderly lady walked in the door; and their incredulous expressions when I explained that I was an artist and wanted to paint this [hulk of a] building. One of the women understood when I said I loved all its comprised shapes and their cast shadows. Unfortunately, they would not permit me  to paint on site-too much truck traffic. So I painted from one of my photos. The building is a distribution storage facility for livestock grain-ADM Alliance Nutrition in Camp Hill.

SPANGLER MIILL CONSTRUCTION By Cecelia Lyden

oil/canvasboard

11x14

www.cecelialyden.com

I first came upon this monstrosity of a building while driving on Spangler Mill Road, seeking paint sites. I was winding down a curvy, narrow road, when, wham, up popped this huge structure on my left, sitting right on the road. I pulled into an empty lot across the street to carefully study it- not very pretty, but amazing sculptural shapes and volumes. This was not the picturesque landscape I was seeking, but I still wanted to paint it.

I came back to the site with two other artists, early, on a sunny morning. We all agreed it was an interesting subject, but, as artists do, we took different approaches. One artist painted a long view of the building, with emphasis on the trees and bushes around it. The other artist seemed interested in the shadows on the shapes, using pinks and purples. I was interested in how the small and medium shapes  appeared to grow out of the larger shapes, as well as the morning light and shadows, emphasizing the building's sculptural qualities. I also wished to convey my initial reaction of surprise at the sight of this massive structure, which was, so inartistically, plopped right on the edge of the road.